
Just a few minutes from my office is a haven for birds -- Baylands in Palo Alto, connected via the Bay Trail to Shoreline at Mountain View. We biked along the trail, and I stopped to sketch. We saw stilts, ducks, egrets, and even two pelicans.
I was testing out Bee Paper's Pen Sketcher's pad, as I'll be using that in an upcoming workshop I'm running for Art in Action. I was pleased to see that it worked fairly well with a Sharpie pen, watercolors, and a waterbrush.

A few weeks ago, I was in New York for the Urban Sketchers Executive Board in-person meeting. We spent long hours in a small room at Pearl Studios near Penn Station, but we took a break from our strategy sessions to sketch with the Urban Sketchers New York City chapter.
We sketched at Brookfield Place (formerly the World Financial Center). The installation of luminaries among the indoor palms was striking; they changed color frequently.

A highlight of the weekend was our visit to the Picasso sculpture exhibit at the Museum of Modern Art. I spent my time mostly looking, not sketching!


Wandered around downtown Santa Cruz and visited Lenz Arts while M. biked on his birthday weekend at the end of January.
I don't often aspire to make my own drawing materials, but I took a class in coptic bookbinding at TechShop San Jose a few weeks ago because I had a coupon. It's a great way to make lie-flat sketchbooks. There were just two of us in the class. We were provided precut paper and MDF covers and learned how to sew waxed thread across the signatures to create this secure binding.



I liked learning the technique and can see the advantage of using my own mix of papers, but I'll probably leave the sketchbook-making to the pros.
How about you? Have you ever made your own sketchbook?

We spent our first New Year's in California cooking, eating, and going to wineries with friends. On that Sunday, M and I capped off the holiday with a hike in Henry Coe State Park, where I just had to stop and paint this twisting, gnarled tree. Not a bad way to start 2016!
I've been diligently drawing every day but just hadn't taken time to scan everything until today. So here's the massive catch-up post.
Last night M. and I had dinner at Pho 69 and checked out TechShop in downtown San Jose. In between I sketched the California Theatre, a '20s-era movie palace turned performing arts venue.

The day before, I drew the two trees and distant hills I see every day out our front door. They are tall and totemic and remind me that I am in California.

Finding InkTober subjects on busy weeknights was challenging until M. and I hit upon the idea of using word prompts (from vintage copies of Sunset magazine, found at Kepler's Books in Menlo Park) to inspire me to draw random things and tie them together.
M. thinks teacup-tuna-toilet-paper baby will go viral.

Me, I'm rooting for the Saltine desert.

It's hard to do it without any prompts -- I end up mostly drawing what's in front of me, and at 10 pm it starts with whatever I see in and around the mirrored bedroom closet doors.

Last Sunday M. and I rode our bikes at Viva Calle SJ, an open streets event in which miles of San Jose roads were closed to cars. I sketched at the Aztec dance demonstration by Tezkatlipoka Dance Group and then drew the cyclists who had gathered at the information tents at Parque de los Pobladores.



After two hours of high-energy one-step, cha-cha and swing at Friday Night Waltz, I caught my breath long enough to do some quick gestural studies of our fellow dancers as they whirled around the room.


M. was a ready, if oblivious, subject for yesterday's drawing. I learned that although striped flannel sheets are cozy, drawing them takes a lot of patience.

Today I decided to play around with dip pens, a bamboo pen, a brush and various bottled inks. I used Levenger Regal and Forest, and Noodler's Cayenne.

Took VTA to the South First Fridays Art Walk tonight. Perfect venue for InkTober sketching! Lots of people strolling the area. Saw some new restaurants to check out, and was particularly wowed by the show at the San Jose Institute of Contemporary Art.
The people shaping clay at the Higher Fire potters' wheels were also impressive. They kept their focus even with all the people wandering in and out of their space.

It's a visual feast of approaches to location sketching, with lots of examples for inspiration. I'm honored to be in the company of such amazing urban sketcher friends.
Ask for it at your local bookstore or library.
(And yes, that's the book sitting in my brand-new shed studio -- will be posting some pics of the building and interior soon!)


























